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I design sets and costumes for theatre, opera and performance – building bold dramatic worlds through space, colour and material.

I've spent over a decade designing across independent, small-to-medium and commercial theatre. My approach is dramaturgically grounded: I dig into the script's world, develop visual offers that expand the story's possibilities, then refine through collaboration. The best work happens when design thinking sharpens dramaturgical clarity.

Let’s talk

I'm always keen to discuss new projects, from intimate indie work to larger-scale productions. If you're looking for a designer who thinks dramaturgically and works collaboratively, I'd love to hear about what you're making.

© Casey Harper-Wood 2025 | Colophon

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

© Casey Harper-Wood 2025 | Colophon

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

© Casey Harper-Wood 2025 | Colophon

I acknowledge the Wurundjeri people of the Kulin Nation, the traditional custodians of the unceded land on which I work. I pay my respects to Elders, past and present, and acknowledge their connection to creativity, culture and storytelling. Sovereignty has never been ceded.

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